The Sheik (1921)
Rudolph Valentino is Arab chieftan, the Sheik, who takes one look at Lady Diana Mayo and wants her right then and there.
The Gold Rush (1925)
Chaplin drew inspiration from photographs of the Klondike Gold Rush as well as from the story of the Donner Party who, when snowbound in the Sierra Nevada, were driven to cannibalism or eating leather from their shoes. Chaplin, who believed tragedies and comics were not far from each other, decided to combine these stories of deprivation and horror in comedy. He decided that his famous rogue figure should become a gold-digger who joins a brave optimist determined to face all the pitfalls associated with the search for gold, such as sickness, hunger, cold, loneliness, or the possibility that he may at any time be attacked by a grizzly. In the film, scenes like Chaplin cooking and dreaming of his shoe, or how his starving friend Big Jim sees him as a chicken could be seen.
"It" --That quality possessed by some which draws all others with its magnetic force. With 'It' you win all men if you are a woman and all women if you are a man. 'It' can be a quality of the mind as well as a physical attraction.
Clara Bow stars as a saucy lingerie salesgirl sets her sights on the handsome owner of the department store where she works
Un Chien Andiou - (1929)
Filmed in the subjective language of the unconscious, this early avant-garde film is a surrealist tale of unfulfilled desire, based on an exchange of dreams between Salvador Dali and Luis Buñuel. Un Chien Andalou has no plot in the conventional sense of the word. With disjointed chronology, jumping from the initial "once upon a time" to "eight years later" without events or characters changing, it uses dream logic in narrative flow that can be described in terms of the then-popular Freudian free association, presenting a series of tenuously related scenes.
Modern Times (1936)
Chaplin began preparing the film in 1934 as his first "talkie", and went as far as writing a dialogue script and experimenting with some sound scenes. However, he soon abandoned these attempts and reverted to a silent format with synchronized sound effects and sparse dialogue. The dialogue experiments confirmed his long-standing conviction that the universal appeal of his "Little Tramp" character would be lost if the character ever spoke on screen. The iconic Little Tramp character struggles to survive in the modern, industrialized world. The film is a commentary on the desperate employment and financial conditions many people faced during the Great Depression — conditions created, in Chaplin's view, by the efficiencies of modern industrialization.(Wikipedia)
City Lights (1931)
The most cherished film by Charlie Chaplin is also his ultimate Little Tramp chronicle. The writer-director-star achieved new levels of grace, in both physical comedy and dramatic poignancy, with this silent tale of a lovable vagrant falling for a young blind woman who sells flowers on the street and mistakes him for a millionaire. Though this Depression-era smash was made after the advent of sound, Chaplin remained steadfast in his love for the expressive beauty of the pre-talkie form
The Harold Lloyd Comedy Collection
Harold Lloyd sold more tickets than Charlie Chaplin and Buster Keaton - and any other silent comedian in the 1920s. The 3 disc collection (DVD1284, DVD1285 and DVD1286) includes many of Lloyd's classic comedies (Safety Last -DVD1284)
Salome; Lot in Sodom
Salomé (74 min.): Salomé is based on the play by Oscar Wilde. Salomé dances for King Herod and demands that the head of John the Baptist be brought to her on a platter.
Lot in Sodom (27 min.): A lyrical interpretation of the Biblical Old Testament story based on rhythmical arrangements of symbols rather than on chronological development of action